LOCATION
Coeur d’Alene, Idaho
BUILDER
Edwards Smith Construction
INTERIORS
PLAAD
YEAR
In Construction
COEUR D’ALENE RESIDENCE
Our client had a vision when she purchased a lot nestled into the Northern Rocky Mountains overlooking Lake Coeur d’Alene: to develop a modern, respectful, and restrained composition that embraces the site in a harmonious manner. Her desire was to dwell within the landscape, rather than upon it. Her second and equally paramount request was to use design to recreate a childhood memory–her grandmother’s home, a Siheyuan. A Siheyuan is a traditional Chinese architectural design consisting of symmetrical structures around a courtyard. Through detailed and intentional design exploration, these two aspirations, sometimes at odds with each other, were melded and sculpted into a nostalgic, light-filled sanctuary.
“The sky provides the light for the water, and light is the ultimate source of beauty.”
Traditionally, the views in a Siheyuan are inward to the courtyard; however, our client deviated from this approach to embrace the surrounding natural beauty. She understood that built architecture and landscape are not mutually exclusive. The design developed into a minimal and refined composition that compliments rather than detracts from the landscape. Calculated positioning of the structure takes advantage of the descending topography while capturing the southern light and maximizing views. Mindful transparency allows nature to become an integral part of the interior with the architecture serving as an armature to frame it.
A true pleasure of this project is the profound and often philosophical conversations led by the client. While discussing the building’s connection to the landscape, our client said: “The sky provides the light for the water, and light is the ultimate source of beauty.” Inspired by this poetic thought, we sought to capture the interplay of light and water in the building exterior. Perforations in moveable steel panels transcribe the reflection of light on ripples oscillating between opacity and transparency. The location of the perforations correspond to areas of public activity and private respite providing function as well as a dynamic facade that wraps the structure. We call this perforated ribbon “The Recording”. Just as the lake dances with light, the facade facilitates a similar experience inside the home. Shadows and filtered light play along interior surfaces, immersing one into the phenomenological recordings of the site. In the evening, the reverse happens, the perforations allow soft, filtered light to emit from behind the facade. We took this opportunity to allow nature to provide ornamentation to the simplified spaces, a departure from the intricate carvings that typically adorn a Siheyuan.
While the home opens to the sweeping views of Lake Coeur d’Alene, the significance of the courtyard is equally present. This central component is accessible throughout the home and provides light, air, and serenity to each space.
View of the courtyard that is accessible from the main living space and the secondary bedrooms.
View of Den. The board-form concrete mass carries into the interior and is carved into for an open air fireplace.
View of Primary Suite. The Primary Suite is a single double-height space. The various functions are separated by obelisks - bedroom, bathroom, closet.
View of Secondary Bedroom. The west facing bedrooms open up to private balconies with movable perforated steel panels.
